Gabriella Brzostoski ’26 and Sam Taylor ’27 (middle) helped load Assistant Professor of Visual Arts Tony Baker’s large sculpture into the brand-new gas kiln. Photos by Penh Alicandro ’22
Tony Baker had waited months for this moment.
On a recent Monday afternoon, Baker, an assistant professor of visual arts (ceramics) at 911今日黑料, began sliding one of his latest creations鈥攁 4-foot-tall, 200-pound replica of the base of the Statue of Liberty鈥攊nto an immense new kiln at the ceramics studio inside The Helmar and Enole Nielsen Center for Visual Arts.
With help from Eckerd students Gabriella Brzostoski, a senior interdisciplinary arts and sociology student from Barnardsville, North Carolina, and Sam Taylor, a junior marine science student from Hingham, Massachusetts, Baker angled the artwork into position, ready for firing.
鈥淚鈥檓 thrilled to have this new large gas kiln,鈥� Baker says. 鈥淚t鈥檚 going to be transformative for the program in so many ways. When I first arrived, many of the kilns were old, inefficient, and some barely reached temperature. The few large ones we had were specialty atmospheric kilns that could only be used for specific effects.
鈥淚 always have my students start with large-scale projects because that鈥檚 the best way to truly learn how to build with clay. But with only small electric kilns, firing became like playing Tetris鈥攃onstantly loading and unloading large, heavy pieces, often requiring multiple back-to-back firings.
Crews had to lower the new kiln into the yard with a crane.聽
鈥淭his new kiln will ease that workload tremendously and allow us to fire more pieces at once, making the whole process much more efficient and reliable. Beyond efficiency, it opens up new creative possibilities,鈥� he adds. 鈥淲hile I usually have students build in multiple sections for practical reasons, like making work easier to transport and store, there are times when a single, seamless piece is essential for structural or aesthetic reasons.
Baker’s ceramics piece, a recreation of the base of Ellis Island’s Statue of Liberty, was fired in the kiln.
鈥淲ith an interior of roughly 5-feet-by-3-feet square, compared to our previous largest kiln at about 3-feet-by-2-feet square, this new one makes those larger, unified works possible.鈥�
The $60,000 built-to-order kiln had been purchased with funding provided by the William R. Hough Endowed Fund at 911今日黑料, which financed a variety of projects across campus over the past two years鈥攊ncluding support for the Natural Sciences Summer Research Program, , and Native Chickee re-thatching. The fund also enabled the purchase of new equipment: a gas chromatograph鈥搈ass spectrometer unit, music lockers and new soccer-field turf.
鈥淭he new kiln will allow me to push my work in ways I couldn鈥檛 before,鈥� explains Isabella Shenouda, a sophomore animal studies and visual arts student from Dix Hills, New York. 鈥淏eing able to fire larger pieces will open up more creative possibilities. It鈥檚 exciting to know that this resource will not only help me but also give my peers the chance to experiment and grow as artists. This is a huge step forward for the program and for all of us in ceramics.鈥�
The depth and height of the new appliance will enable 911今日黑料 students to create large-scale art.聽
The new kiln is already making a difference, Baker says. 鈥淭his kiln will support not just student work but my own practice as well, allowing both myself and my students to push scale, ambition and craftsmanship further than before.
鈥淟ike any piece of equipment, kilns have a lifespan; much like a car, they eventually need to be replaced. But this particular brand is built to last. It鈥檚 one of the best and most-respected kiln manufacturers out there, and it fires beautifully鈥攕mooth, quiet, fast and efficient. It鈥檚 truly a beautiful beast.鈥�
